“I was told when I started doing my choppy disco style that there was no market for it because it couldn’t exist in the club world and wasn’t pop enough to exist in the pop charts. I was told there was no market, but I kept doing it because I really loved it and because I wanted to work in music somewhere and I thought it would be useful somehow in the long run, even if I ended up doing something less exciting than what I wanted to do. I started to live with the idea that it wouldn’t catch on, then it started to catch on and now people want a piece of it. If you’re trying to chase what’s currently popular, by the time you do it well it will be irrelevant. You hear it in pop production: they’ll try to do an electronic sound, but because they’re not part of the scene they don’t understand it and don’t get what’s appealing about it, and it doesn’t work.” (x)